Kanat

خَطّ قانَت

A detached stencil typeface originally designed for the letterpress, it carries architectural playfulness and delivers a warm kind of boldness to the reader.

Family Editable Overview

Sample Typesetting

Ama Kanat In Use - example 1 Ama Kanat In Use - example 2

Typeface Showcase

Kanat Solid

والآن

Kanat Press

هو الواحد بلا وحدانية،

Kanat Outline

وهو الفرد بلا فردانية.

Kanat Solid

بلا ظاهرية

Kanat Solid AR+LT

astonishingly

Kanat in use

Wereld Museum Amsterdam - prints by GWA

Cards at the Wereld Museum Amsterdam Shop

Letterpress prints by GWA

B. Cotnoir, Alchemy: The Poetry of Matter - Khepri Press

B. Cotnoir, Alchemy: The Poetry of Matter

Khepri Press

Information & Credits

general
detached stencil
3 styles
released in 2023
optimal sizes
48pt and above
languages
Arabic, Persian, Urdu
designers
Lara Captan
Maria Montes (Latin)
Hilal Mutluel (Press)

Kanat is a display family that dialogues between digital and moveable type technologies. It is ideally used from size 48pt and above and is meant to highlight words playfully or to use them as an architectural space. Kanat Outline allows for overlays with the Solid version. And Kanat Press echoes the warmth and texture of its sister wood typeface.

Kanat Solid was initially drawn in 2017 to be CNC-milled into the Kanat wood typeface, housed at the [typo]Grafische Werkplaats Amsterdam [GWA].

The design sprung from a question: How to create an Arabic wood typeface that embraces both Arabic script tradition and the letterpress's constraint of having letters fit into a physical, rectangular block? As a result, the Kanat family is based on one of the earliest forms of Arabic calligraphy [a style generally known as Primary Kufic] and is fully detached to optimize itself for moveable type technology.

The typeface is a homage to Wiek Molin, the late director of the GWA who, along with current director Corine Elemans, were the initiators of the wood-type project. Kanat is the Turkish word for "the wing."

You can read the full story here.